Saturday, 26 May 2012

'Summer Breeze' exhibition at Reunion Gallery Felixstow. 5th June - 1st September

If your around why not come to the opening celebration of the ‘Summer Breeze’ exhibition on Saturday 2nd June between 11am and 5pm.
This exhibition features artists James Dodds, Alison Malcolm, Steve Griffin, Katie Lynn, Annabel Mednick and Brian Perry.
They have created pieces that reflect their take on the British summer!
Hope to see you there to enjoy the exhibition and a Courtyard Tea Party.
N.B. Exhibition runs until 1st September.

The Reunion Gallery & Studios
36 Gainsborough Road, Felixstow IP11 7HR

Sunday, 20 May 2012

all day saturday workshop

I held an all day life drawing workshop on Saturday for seven people.
They started at 10 ,  did lots of expressive gestural drawings, then explored charcoal on cartridge paper, then watercolour paper, rubbing it in, moving it around, tactile, expressive and so versatile. There was a break for a drink, then everyone started on the long pose. They worked hard till 12.30 ish, till we broke for a simple lunch of jacket potato and cheeses, salad, and coleslaw. (the only thing i can cook...) with a delicious desert of rhubarb crumble provided by Blue. then it was back to the drawing boards... they worked so hard. finishing at 3. Here are their fab results...



Wednesday, 18 April 2012

latest show at the buckenham galleries in Southwold, 21 April - 23May

as you know I have always worked from the model as part of my practise.  I like the subtle changes of light, the delicacy of tones, the tiny observations that build the drawing or painting. When exploring gestural poses I like the rapid marks that capture the immediacy and dynamic of the form.
Weekly for the last three or four years, often with other artists joining me in the studio, I have been working with the same model; this has meant I have been able to go beyond the “what does she look like” part.  I am still rooted in the figurative, the representational, but I can explore mood, form, expression, application of paint, scale, and most recently the relationship between the figure and the space around her.
This exhibition is the culmination of those years.


here are a selection of paintings from the show... 

if you have been looking at the blog most will be familiar to you.


so if you are in Southwold in Suffolk over the next month I hope you can catch it. 



Thursday, 8 March 2012

Demonstrations of the art group kind

Have been doing a couple of demonstrations; None come up for a year, then I get two back to back. The first was an oil painting demonstration in Woodbridge with a lovely responsive crowd. I showed them how I work from a photographic source as I thought it would be useful. I squared up the canvas and the photo, then copied it on to the canvas in green and did the under painting, then after the break I showed them how I develop the work further by working on "one I had prepared earlier," they seemed to enjoy it. Yhey asked me back to finish it next year. The next night was a portrait in charcoal. Again another friendly and kind group. I took my son along as the model and he very kindly sat, jerking to attention when I commanded, "wake up."  I find everyone always snoozes when they are being drawn; I like to say its because its relaxing, but I suspect the truth is its boring.....
Everyone watching seemed to enjoy the experience, they gasped as one when I rubbed out the eye to redraw it, and there was an audable, comunual sigh of relief when I adjusted the arm... we all decided together that I should redraw the hand.....great fun. I am touting to do more demos. Anyone out there feel free to contact me...

Sunday, 19 February 2012

The Tomb of the Unknown Craftsman

I have just been to see Grayson Perry at the British Museum.
it was fantastic. he must be one of the greatest British Artists in the last thirty years.
- maybe it is because he actually crafts the things he makes, something magical happens in the creation process, decisions are made as the thing evolves, its hands on; not just found objects or  ideas sketched out and brought to being by others.  Yes some objects shown here are created by craftsman, but of course there has always been that process in iron and bronze sculpturs, the clay model made by the artist and the transformation by the technician, the alchemy of collaboration. 
I was moved, amazed, thrilled. Its so much more than the quote from the British museum web site. 
The objects are sensitive, reflections of the complexity of the world. My favourite thing made by Perry  was Our Mother and Our Father, 80 cm high these beautifully sensitive iron cast people carry objects representing civilisation past and present on their backs and around their necks.  I also loved the huge pot at the beginning of the exhibition. all the arty types who may come are represented here, Grayson Perrys skilled drawing makes each person immediately recognisable....who are you?
from his choice of things from the museums collection, It has to be the clay, mud and cowrie shell Boli figure - which is a large rounded featureless whale shape (without the tail), with four squat legs at each corner, sort of like a moomin troll, ( if you ever knew them.) and a little shell under its neck.
The whole show had compassion, love, and humour for the whole human race.

The quote from the British museum web site.

'Grayson Perry curates an installation of his new works alongside objects made by unknown men and women throughout history from the British Museum’s collection.

He’ll take you to an afterlife conjured from his imaginary world, exploring a range of themes connected with notions of craftsmanship and sacred journeys – from shamanism, magic and holy relics to motorbikes, identity and contemporary culture.

Vases covered in witty captions, elaborate tapestries and the centrepiece, a richly decorated cast iron coffin-ship, will be displayed alongside objects from the past two million years of culture and civilisation. From the first great invention, the hand axe, to a Hello Kitty pilgrim hand-towel, you will discover a reality that is old and new, poetic and factual, and funny as well as grim.

‘This is a memorial to all the anonymous craftsmen that over the centuries have fashioned the manmade wonders of the world…
The craftsman’s anonymity I find especially resonant in an age of the celebrity artist.’

Grayson Perry RA, Turner Prize winner'

Thursday, 9 February 2012

new painting

sort of working like this at the moment.

then have developed them to be more solid, will show next time.
just am oly interested in working from the model right now.
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